MAGAZINE SOBRE HISTÒRIA (Iniciat com AUCA satírica el 1960.. per Manel Capdevila a classe de F.E.N.)
-VINCIT OMNIA VERITAS -
"La història l'escriu qui guanya".. així.. "El poble que no coneix la seva història... es veurà obligat a repetir-la.."
|16-09-2016 (3499 lectures)||Categoria: Leonardo|
JAUME FĂ€BREGA leonardo da Vinci va fer de cambrer, de restaurador pĂşblic i cuiner i durant 30 anys; fou Gran Mestre dels convits i festes a la corts dels Sforza, a MilĂ (?; espereu la resposta mĂ©s avall).
Un dels llibres de gastronomia de mĂ©s Ă¨xit, i del qual se'n fan contĂnues edicions, Ă©s el de les Notes de cuina de Leonardo da Vinci, del qual crec que no hi ha una ediciĂł catalana, seria una bona idea fer-la, comentada; oi tant, i mĂ©s que ara es reivindiquen els contactes de Leonardo amb la cultura catalana, a travĂ©s de la cort de NĂ pols. Leonardo utilitzava com a colors propis els de Catalunya (tres o quatre pals vermells sobre fons groc), tambĂ© adoptats per la cort de NĂ pols i encara avui oficials a la ciutat. AtĂ¨s el fet que NĂ pols al segle XV?va ser la capital de la gastronomia d'Europa -sota empremta catalana, el cuiner de la cort, Mestre Robert (dit Â«Ruperto de NolaÂ» pels espanyols, ja que aixĂ no passa per catalĂ ), va escriure el seu importantĂssim Llibre del coc en catalĂ -, capitalitat continuada al segle XVI, compartida amb Roma mercĂ¨s als Borja.
Aquesta cort, en efecte, era la mĂ©s refinada del Quattrocento pel que fa a les arts del menjar, i n'era, com dĂ¨iem, el cuiner reial el catalĂ Mestre Robert, el Ferran AdriĂ del segle XV. Si Leonardo s'haguĂ©s interessat per la cuina, doncs, aquĂ hi hauria fet un magnĂfic aprenentatge, al costat d'un geni a la seva altura. A part que la seva ensenya eren els pals catalans... El somriure de la Gioconda, en aquest cas, seria mĂ©s murri!
Aquestes Notes de cuina de Leonardo da Vinci Ă©s el llibre comodĂ emprat per gastrĂ˛noms i periodistes que volen quedar bĂ© -i una mica cultes- sempre que parlen d'algun aspecte histĂ˛ric de la gastronomia. Fins i tot, em va costar convĂ¨ncer els ?guionistes o productors (en aquest cas productora) del programa de TV3 El favorit, presentat per en Toni Soler i amb la colÂ·laboraciĂł de l'Oriol Junqueras, que no s'hi inspiressin, cosa que finalment -i de forma barroera- varen fer! Vaig dimitir, i no vaig cobrar res per l'assessorament. La plaga dels productors i productores saberuts no tĂ© aturador. Per exemple, hi presentaven coses tan ridĂcules com l'invent del Â«tovalllĂłÂ» (cosa completament falsa) i l'Ăşs de conills lligats a les potes de les taules o cadires per fer aquest comĂ¨s!
A causa de la genial personalitat del seu autor, les coses mĂ©s delirants del llibre sĂłn citades reverencialment. Ens assabentem de receptes extremes d'alta gastronomia, com el lirĂł farcit, els Â«tritonsÂ» fregits o el pĂşding de mosquit blanc, i fins algunes d'origen catalĂ , com el menjar blanc.
Quan vaig llegir per primera vegada aquestes Notes de cuina, no obstant, en veure que Leonardo qualificava aquest plat d'Â«espanyolÂ», se'm va encendre l'alarma: al seu temps, Espanya, com a regne, encara no estava inventada, i en altres documents coetanis (com el receptari de l'italiĂ Martino de Como) el menjar blanc sempre Ă©s anomenat Â«alla catalanaÂ».
Passant per sobre del prestigi de l'anotador de l'ediciĂł espanyola -JosĂ© Carlos Capel, el crĂtic gastronĂ˛mic d'El PaĂs i un desconeixedor de les coses catalanes, incloent la histĂ˛ria de la cuina, com tots els crĂtics espanyols- vaig descobrir que l'esmentat llibre -suposadament basat en un hipotĂ¨tic Codex Romanoff- Ă©s apĂ˛crif.
En realitat Ă©s una obra escrita en clau humorĂstica per Jonathan Routh i la seva dona Shelagh. Jonathan Reginald Surdeval Routh (1927) era fill d'un coronel de l'ExĂ¨rcit britĂ nic, va estudiar histĂ˛ria a Cambridge i es va dedicar amb Ă¨xit a l'humor, a la pintura i la televisiĂł.
On her website ToriAvey.com, Tori Avey explores the story behind the food â€“ why we eat what we eat, how the recipes of different cultures have evolved, and how yesterdayâ€™s recipes can inspire us in the kitchen today. Learn more about Tori and The History Kitchen.
Born in the town of Vinci in 1452, Leonardo da Vinci came from humble beginnings. He was born out of wedlock to a notary and a peasant woman, then rose to become one of the most celebrated minds of the Italian Renaissance. Though well known in Italy during his lifetime, his creative genius, technological inventiveness and vision would not be fully recognized until hundreds of years after his death. We are most familiar with da Vinciâ€™s remarkable artistic abilities, as evidenced by masterpieces like the Mona Lisa and The Last Supper. In addition to being a gifted artist, da Vinci was a polymathâ€¦ a scientist, engineer, mathematician, musician, sculptor, astronomer, architect, zoologist, anatomistâ€¦ and, perhaps most surprisingly, a budding nutritionist. Da Vinci was intrigued by food and valued its importance in our daily lives. He was also captivated by kitchen gadgets and inspired a few of the machines we still use today, including an automated device for turning meat on a spit. Shawarma, anyone?
Meticulous notebooks kept by da Vinci, some of which survive today, reveal why he was so suited to this new cultural perspective. They also give great insight into his relationship with food, nutrition and the kitchen. He started writing the notebooks at age thirty-seven and kept up with them until his death thirty years later. Mainly a random assortment of thoughts, notes and drawings, much like diaries, they were written in â€śmirror scriptâ€ť from right to left, with the letters themselves drawn backward. As you can imagine, his method for keeping his thoughts private made the notebooks even more difficult for scholars to translate. When da Vinci passed, he left between 50 and 120 notebooks to his prized student, Francesco Melzi. There are only 28 or so left today. Here is a passage from one of his notebooks regarding health and cooking:
If you want to be healthy observe this regime.
Do not eat when you have no appetite and dine lightly,
Chew well, and whatever you take into you
Should be well-cooked and of simple ingredients.
He who takes medicine is ill advised
Beware anger and avoid stuffy air.
Stay standing a while when you get up from a meal.
Make sure you do not sleep at midday.
Let your wine be mixed with water, take little at a time
Not between meals, nor on an empty stomach.
Neither delay nor prolong your visit to the toilet.
If you take exercise, let it not be too strenuous.
Do not lie with your stomach upward and your head
Downward. Be well covered at night,
And rest your head and keep your mind cheerful.
Avoid wantonness and keep to this diet.
- Leonardo da Vinci, 1515 (reprinted from Dave Dewittâ€™s Da Vinciâ€™s Kitchen: A Secret History of Italian Cuisine)
Da Vinciâ€™s kitchen notebooks are filled with comments on the cost and quality of the food and drink he encountered throughout Italy. For example, da Vinci noted that a bottle of wine, a pound of veal and a basket of eggs cost â€śone soldoâ€ť each. Also included in the notebooks were his shopping lists, which varied between elaborate ingredients for court feasts and rather simple items for his own householdâ€™s fare.
In 1482, da Vinci joined the court of Ludovico Sforza, the Duke of Milan, who would later become a major patron of his artwork. While living there he spent time overseeing the remodeling of Sforzaâ€™s castle, including the kitchen. In his book Da Vinciâ€™s Kitchen, Dave Dewitt includes da Vinciâ€™s personal notes on how an efficient kitchen should be designed:
The large room for the retainers should be away from the kitchen, so the master of the house may not hear their clatter. And let the kitchen be convenient for washing the pewter so it may not be seen carried through the houseâ€¦ The larder, woodstore, kitchen, chicken-coop, and servantsâ€™ hall should be adjoining, for convenience. And the garden, stable, and manure-heaps should also be adjoiningâ€¦ Food from the kitchen may be served through wide, low windows, or on tables that turn on swivelsâ€¦ The window of the kitchen should be in front of the buttery (pantry) so that firewood can be taken in.
- Leonardo da Vinci, Codex Atlantica
In discussing da Vinci and food, the topic of vegetarianism inevitably arises. The possibility of da Vinci abstaining from meat has been debated for years. A handful of quotes suggest that he may have been a vegetarian, though none of the quotes come directly from da Vinci himself. One quote commonly referenced comes from a letter written to Giuliano deâ€™Medici by the Italian explorer Andrea Corsali, who writes: â€śCertain infidels called Guzzarati are so gentle that they do not feed on anything which has blood, nor will they allow anyone to hurt any living thing, like our Leonardo da Vinci.â€ť Corsali was describing the eating habits of Hindu followers in India. Though the quote seems to suggest that da Vinci was a vegetarian, it is impossible to know what sort of relationship Corsali had with da Vinci beyond the fact that they both worked for Medici at one time. On the other hand, da Vinciâ€™s shopping lists occasionally mentioned meat; however, the items listed were not all for his own private pantry. They also included whatever items he would need to feed his household. In reading his passages about nutrition and health, he advised a simple and light diet, and to abstain from gorging. This would seem to go hand-in-hand with a vegetarian lifestyle. Because da Vinci never spoke or wrote about his personal eating habits with regards to meat, we cannot say for certain what his diet consisted of, though it is quite possible that he was a vegetarian.
In his personal library collection da Vinci owned a single cookbook, Platinaâ€™s On Right Pleasure and Good Health, which is considered to be the first printed cookbook (and one of the first printed books anywhere). First published in Rome in 1470, the book focuses heavily on the dietary advantages of various foods and how to prepare them. Platina attributes many of the recipes found in his book to Italian culinary expert Martino da Como (also known as Maestro Martino), who might be considered the first â€ścelebrity chefâ€ť in history. Martino was the chef for Ludovico Trevisan, the Cardinal Patriarch of Aquileia, and eventually the Vatican. The wealth of information shared in Platinaâ€™s book appears modern and ahead of its time, including Martinoâ€™s recipes. Nearly every recorded item in da Vinciâ€™s larder was included in Platinaâ€™s writings, including buttermilk, eggs, melon, grapes, mulberries, mushrooms, sorghum, flour, herbs, spices, beans, meat, sugar, vinegar and wine. (DeWitt, 114-122)
Da Vinciâ€™s recorded observations and musings prove that he was a remarkably modern thinker, even when it came to cooking. He believed that the kitchen should run as a well-oiled, efficient machine. Today we have refrigeration, blenders, and electric mixers to help us along. I canâ€™t help but wonder if the original Renaissance man would have been impressed by how far weâ€™ve come in the kitchen.
Bramly, Serge (1995). Leonardo â€“ The Artist and the Man. Penguin Books, New York, NY.
Da Vinci, Leonardo. Leonardoâ€™s Notebooks. Suh, H. Anna â€“ Editor, Translator (2009). Black Dog & Leventhal Publishers, New York, NY.
Davidson, Alan (2006). The Oxford Companion to Food. Oxford University Press, NY.
Dewitt, Dave (2007). Da Vinciâ€™s Kitchen: A Secret History of Italian Cuisine. BenBella Books, US.
Corsali, Andrea. â€śLettera di Andrea Corsali allo illustrissimo Principe Duca Juliano de Medici, venuta Dellindia del mese di Octobre nel XDXVI.â€ť National Library of Australia Digital Collections, n.d. Web. 08 July 2013.
King, Ross (2012). Leonardo and the Last Supper. Walker Publishing Company, Inc., NY.
Platina. On Right Pleasure and Good Health. Milham, Mary Ella â€“ Editor, Translator (1999). Pegasus Press, US.
You can uncover more fascinating food history on Toriâ€™s website: The History Kitchen.
You can uncover more fascinating food history on Toriâ€™s website: The History Kitchen